Alston, Charles
Angelico, Beato
Arp, Jean (Hans)
Avercamp, Hendrik
Bakst, Leon
Bannister, Edward
Bazille, Jean Frederic
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Beaux, Cecilia
Beckmann, Max
Bellows, George
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Benton, Thomas Hart
Bierstadt, Albert
Bingham, George Caleb
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Bonnard, Pierre
Botticelli, Allesandro
Boucher, Francois
Boudin, Eugene-Louis
Bouguereau, Adolphe William
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Braque, Georges
Brauner, Victor
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Bronzino, Agnolo
Brouwer, Adriaen
Brueghel the Elder, Pieter
Buffet, Bernard
Calder, Alexander
Canaletto
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Carqueville, William
Cassatt, Mary
Cezanne, Paul
Chagall, Marc
Chambers, Thomas
Chardin, JBS
Chase, William Merritt
Cheret, Jules
Chicago, Judy
Clouet, Jean
Cochran, Anna
Cole, Thomas
Constable, John
Corinth, Lovis
Cornoyer, Paul
Corot, Jean-Baptiste Camille
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Cranach (the Elder), Lucas
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da Vinci, Leonardo
Dali, Salvador
Daumier, Honore
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de Chirico, Giorgio
de Goya, Francisco Jose
de Hooch, Pieter
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Delaroche, Paul
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di Bondone, Giotto
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El Greco
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Birth Year : 1400
Death Year : 1455
Country : Italy
Fra Giovanni da Fiesole (Fra Angelico), a Dominican friar, was perhaps the most important painter of Renaissance Florence. He was born Guido di Pietro in Mugello, Italy, and began the significant part of his career at the Dominican monastery at Fiesole. While his early panels of triptych altarpieces are indebted to traditional Sienese practice, he was already highly aware of the innovations of Florentine art. His "Annunciation" of about 1432-not to be confused with the later fresco-shows the development of an individual style, mixing an assertively Florentine sense of perspective with graceful proportion and restraint. Living largely in a state of withdrawal from the world, Angelico presided over a busy workshop in the Dominican Observant house at Fiesoli. His worldly fame and reputation meanwhile grew rapidly, partly because-in contrast perhaps to his devotional modesty-his works were strenuously adventurous and advanced, with daring degrees of compositional freedom. In the late 1430's, after the shop had moved to the S. Marco monastery in Florence, Angelico made great strides in the use of color, form, and perspective. Instead of showing saints, angels, and a Madonna on separate panels, the central panel of a 1438 altarpiece-commissioned by Cosimo del Medici-surrounds the Madonna with angels and saints, an approach that entered the vocabulary of Renaissance composition as sacra conversazione.
In works of the early 1440's, a realistic and exciting sense of panoramic space pervades Angelico's pictures, as do delicate and subtle uses of color to express distance and variation in light. His best known and perhaps most thoroughly timeless work is from the series of frescoes he painted in S. Marco monastery, mainly in the early 1440's. Some of those frescoes-the "Annunciation", for example-were painted in the public spaces, as aids to group devotion; others were painted in private cells. In 1447, having been called to Rome, Angelico and his workshop assistants made a richer and even more ambitious set of frescoes for walls and ceilings in the private chapel of Pope Nicholas V. Having served as Prior of S. Domenico in Fiesole, Angelico returned to Rome, where he died.
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Beato (Fra Giovanni da Fiesole) Angelico
Adoration of the Magi
Beato (Fra Giovanni da Fiesole) Angelico
Angels Playing Musical Instruments
Beato (Fra Giovanni da Fiesole) Angelico
Madonna and Child Triptych
Beato (Fra Giovanni da Fiesole) Angelico
Madonna of Humility
Beato (Fra Giovanni da Fiesole) Angelico
Head of an Angel
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