Alston, Charles
Angelico, Beato
Arp, Jean (Hans)
Avercamp, Hendrik
Bakst, Leon
Bannister, Edward
Bazille, Jean Frederic
Bearden, Romare
Beaux, Cecilia
Beckmann, Max
Bellows, George
Benson, Frank Weston
Benton, Thomas Hart
Bierstadt, Albert
Bingham, George Caleb
Blake, William
Boccioni, Umberto
Bonnard, Pierre
Botticelli, Allesandro
Boucher, Francois
Boudin, Eugene-Louis
Bouguereau, Adolphe William
Bradley, Will
Braque, Georges
Brauner, Victor
Bricher, Alfred Thompson
Bronzino, Agnolo
Brouwer, Adriaen
Brueghel the Elder, Pieter
Buffet, Bernard
Calder, Alexander
Canaletto
Caravaggio
Caron, Antoine
Carqueville, William
Cassatt, Mary
Cezanne, Paul
Chagall, Marc
Chambers, Thomas
Chardin, JBS
Chase, William Merritt
Cheret, Jules
Chicago, Judy
Clouet, Jean
Cochran, Anna
Cole, Thomas
Constable, John
Corinth, Lovis
Cornoyer, Paul
Corot, Jean-Baptiste Camille
Courbet, Gustave
Cranach (the Elder), Lucas
Crite, Allan
Currier and Ives
Cuyp, Aelbert
da Vinci, Leonardo
Dali, Salvador
Daumier, Honore
David, Jacques-Louis
Davis, Stuart
de Chirico, Giorgio
de Goya, Francisco Jose
de Hooch, Pieter
de Vlaminck, Maurice
Degas, Edgar
Delacroix, Eugene
Delaroche, Paul
Delvaux, Paul
Demuth, Charles
Derain, Andre
di Bondone, Giotto
Doughty, Thomas
Duchamp, Marcel
Dufy, Raoul
Durer, Albrecht
Eakins, Thomas
Eilshemius, Louis
El Greco
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Ernst, Max
Evergood, Philip
Fantin-Latour, Henri
Feininger, Lyonel
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Frankenthaler, Helen
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Frieseke, Frederick Carl
Friesz, Othon
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Gasser, Henry
Gauguin, Paul
Gentileschi, Orazio
Gericault, Theodore
Ghirlandaio, Domenico
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Giorgione, Giorgio
Glackens, William
Gorky, Arshile
Gottlieb, Adolph
Gottlob, Fernand
Gris, Juan
Grunewald, Matthias
Guys, Constantin
Hals, Frans
Hansen, H.W.
Harnett, William Michael
Hartley, Marsden
Hassam, Childe
Hayes, George
Henry, Edward Lamson
Hicks, Edward
Hilliard, Nicholas
Hobbema, Meindert
Hofmann, Hans
Hogarth, William
Hoitsu, Sakai
Holbein(the younger), Hans
Holder, Geoffrey
Homer, Winslow
Hopper, Edward
Hui-tsung, Emperor
Hunt, William Holman
Indiana, Robert
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Ino, Pierre
Johns, Jasper
Johnson, Frank Tenney
Johnson, William
Kahlo, Frida
Kandinsky, Wassily
Kirchner, Ernst Ludwig
Kisling, Moise
Kiyonaga, Torii
Klee, Paul
Klimt, Gustav
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Kuhn, Walt
Kuniyoshi, Yasuo
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Lane, Fitz Hugh
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Lawrence, Sir Thomas
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Leyster, Judith
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Lindner, Richard
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Macke, Auguste
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Maillol, Aristide
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Marquet, Albert
Martin, Henri-Jean Guillaume
Masaccio
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Michelangelo - Buonarotti, Michelangelo
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Mondrian, Piet
Monet, Claude
Moore, Henry
Moore, Martha
Moreau, Gustave
Morisot, Berthe
Moskowitz, Ira
Motherwell, Robert
Motley, Archibald John Jr
Mucha, Alphonse Marie
Munch, Edvard
O'Keeffe, georgia
Picasso, Pablo
Pissarro, Camille
Pollock, Jackson
Poussin, Nicolas
Raffaelo - Sanzio, Raphael
Rauschenberg, Robert
Redoute, Pierre-Joseph
Remington, Frederic
Renoir, Pierre-Auguste
Reynolds, Sir Joshua
Rossetti, Dante Gabriel
Rouault, Georges
Rubens, Peter Paul
Seurat, Georges
Sisley, Alfred
Steinlen, Theophile Alexandre
Tamayo, Rufino
Tang, Li
Tanguy, Yves
Tiepolo, Giovanni Domenica
Tintoretto, Jacopo Robusti
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Turner, Joseph Mallord William
Ucello, Paolo
van Beyeren, Abraham
van Dyck, Sir Anthony
van Gogh, Vincent
van Huysum, Jan
van Rijin, Rembrant
Velazquez, Diego
Vermeer, Johannes Jan
von Jawlensky, Alexej
Vuillard, Edouard
Watteau, Jean-Antoine
Whistler, James Abbott Macneill
Williams, Walter
Wood, Grant
Woodruff, Hale
Woodville, Richard
Wyeth, Andrew
Wyeth, Newell Convers
Yokoyama, Taikan
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Birth Year : 1825
Death Year : 1894
Country : US
George Inness, born in the Hudson River town of Newburgh, New York, is one of the most important members of the "Hudson River School" of painting. When his family moved to Newark, New Jersey, Inness began work as a grocer's clerk before finding a better position with a map-making firm. Self-taught at first, he began painting seriously in 1841 and had his first exhibition at the National Academy of Design four years later. Three trips abroad in the next twenty-five years brought him into contact with the work of John Constable, J.M.W. Turner, Jean-Baptiste Corot, Eugene Delacroix, and the Barbizon painters. From their paintings, he carried away those elements best suited to his personal vision of American landscapes; the use of color from Delacroix and the broad handling of nature from Corot and from the Barbizon School.
The emotional content of his landscapes, the poetic (almost mystical) feeling about them, is related to his attention to details and naturalistic coloring. A nervous man who had been epileptic as a child, he often found it difficult to begin a painting. Once he had put down a shape, however, his imagination leaped forward and he painted in a rush of energy, proceeding by association of ideas and often changing forms and details as he went along. Inness was elected to the National Academy in 1868 and remained convinced until the end of his life that he was a complete realist working with elements that relied on "the solidity of objects, and the transparency of shadows in a breathable atmosphere through which we are conscious of spaces and distances." Although he disliked French Impressionism, he himself created a native American form of Impressionism that is firmly rooted in naturalism. His finest works have tremendous appeal to the imagination, a faint hint of escape from reality, and a fusion of reality and poetry which he himself called "the visible upon the invisible."
The image apposed here is Inness' "June".
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George Inness
Etretat
George Inness
Coming Storm
George Inness
June
George Inness
Landscape with Seated Figure
George Inness
Pool in the Woods
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