Alston, Charles
Angelico, Beato
Arp, Jean (Hans)
Avercamp, Hendrik
Bakst, Leon
Bannister, Edward
Bazille, Jean Frederic
Bearden, Romare
Beaux, Cecilia
Beckmann, Max
Bellows, George
Benson, Frank Weston
Benton, Thomas Hart
Bierstadt, Albert
Bingham, George Caleb
Blake, William
Boccioni, Umberto
Bonnard, Pierre
Botticelli, Allesandro
Boucher, Francois
Boudin, Eugene-Louis
Bouguereau, Adolphe William
Bradley, Will
Braque, Georges
Brauner, Victor
Bricher, Alfred Thompson
Bronzino, Agnolo
Brouwer, Adriaen
Brueghel the Elder, Pieter
Buffet, Bernard
Calder, Alexander
Canaletto
Caravaggio
Caron, Antoine
Carqueville, William
Cassatt, Mary
Cezanne, Paul
Chagall, Marc
Chambers, Thomas
Chardin, JBS
Chase, William Merritt
Cheret, Jules
Chicago, Judy
Clouet, Jean
Cochran, Anna
Cole, Thomas
Constable, John
Corinth, Lovis
Cornoyer, Paul
Corot, Jean-Baptiste Camille
Courbet, Gustave
Cranach (the Elder), Lucas
Crite, Allan
Currier and Ives
Cuyp, Aelbert
da Vinci, Leonardo
Dali, Salvador
Daumier, Honore
David, Jacques-Louis
Davis, Stuart
de Chirico, Giorgio
de Goya, Francisco Jose
de Hooch, Pieter
de Vlaminck, Maurice
Degas, Edgar
Delacroix, Eugene
Delaroche, Paul
Delvaux, Paul
Demuth, Charles
Derain, Andre
di Bondone, Giotto
Doughty, Thomas
Duchamp, Marcel
Dufy, Raoul
Durer, Albrecht
Eakins, Thomas
Eilshemius, Louis
El Greco
Ensor, James
Ernst, Max
Evergood, Philip
Fantin-Latour, Henri
Feininger, Lyonel
Foujita, Tsuguharu
Fragonard, Jean-Honore
Frankenthaler, Helen
Friedrich, Caspar David
Frieseke, Frederick Carl
Friesz, Othon
Fuseli, John Henry
Gainsborough, Thomas
Gasser, Henry
Gauguin, Paul
Gentileschi, Orazio
Gericault, Theodore
Ghirlandaio, Domenico
Giacometti, Alberto
Giorgione, Giorgio
Glackens, William
Gorky, Arshile
Gottlieb, Adolph
Gottlob, Fernand
Gris, Juan
Grunewald, Matthias
Guys, Constantin
Hals, Frans
Hansen, H.W.
Harnett, William Michael
Hartley, Marsden
Hassam, Childe
Hayes, George
Henry, Edward Lamson
Hicks, Edward
Hilliard, Nicholas
Hobbema, Meindert
Hofmann, Hans
Hogarth, William
Hoitsu, Sakai
Holbein(the younger), Hans
Holder, Geoffrey
Homer, Winslow
Hopper, Edward
Hui-tsung, Emperor
Hunt, William Holman
Indiana, Robert
Ingres
Inness, George
Ino, Pierre
Johns, Jasper
Johnson, Frank Tenney
Johnson, William
Kahlo, Frida
Kandinsky, Wassily
Kirchner, Ernst Ludwig
Kisling, Moise
Kiyonaga, Torii
Klee, Paul
Klimt, Gustav
Kokoschka, Oskar
Koryusai, Koryusai
Kuhn, Walt
Kuniyoshi, Yasuo
Kyosai, Kawanabe
Lane, Fitz Hugh
Laurencin, Marie
Lawrence, Jacob
Lawrence, Sir Thomas
Lee-Smith, Hughie
Leger, Fernand
Leigh, William Robinson
Leyster, Judith
Lichtenstein, Roy
Liebermann, Max
Lindner, Richard
Lippi, Fra Fillipo
Lorrain, Claude
Louis, Morris
Luini, Bernardino
Macke, Auguste
Maes, Nicolaes
Magritte, Rene
Maillol, Aristide
Manet, Edouard
Marc, Franz
Marini, Marino
Marquet, Albert
Martin, Henri-Jean Guillaume
Masaccio
Matisse, Henri
Michelangelo - Buonarotti, Michelangelo
Millet, Jean-Francois
Miro, Joan
Modigliani, Amedeo
Mondrian, Piet
Monet, Claude
Moore, Henry
Moore, Martha
Moreau, Gustave
Morisot, Berthe
Moskowitz, Ira
Motherwell, Robert
Motley, Archibald John Jr
Mucha, Alphonse Marie
Munch, Edvard
O'Keeffe, georgia
Picasso, Pablo
Pissarro, Camille
Pollock, Jackson
Poussin, Nicolas
Raffaelo - Sanzio, Raphael
Rauschenberg, Robert
Redoute, Pierre-Joseph
Remington, Frederic
Renoir, Pierre-Auguste
Reynolds, Sir Joshua
Rossetti, Dante Gabriel
Rouault, Georges
Rubens, Peter Paul
Seurat, Georges
Sisley, Alfred
Steinlen, Theophile Alexandre
Tamayo, Rufino
Tang, Li
Tanguy, Yves
Tiepolo, Giovanni Domenica
Tintoretto, Jacopo Robusti
Toulouse-Lautrec, Henri
Turner, Joseph Mallord William
Ucello, Paolo
van Beyeren, Abraham
van Dyck, Sir Anthony
van Gogh, Vincent
van Huysum, Jan
van Rijin, Rembrant
Velazquez, Diego
Vermeer, Johannes Jan
von Jawlensky, Alexej
Vuillard, Edouard
Watteau, Jean-Antoine
Whistler, James Abbott Macneill
Williams, Walter
Wood, Grant
Woodruff, Hale
Woodville, Richard
Wyeth, Andrew
Wyeth, Newell Convers
Yokoyama, Taikan
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Birth Year : 1928
Death Year :
Country : US
Of the generation of painters who succeeded the Abstract Expressionists, Helen Frankenthaler is considered a major innovator in the technique of color-field painting. Born in New York City, Miss Frankenthaler's early art teachers include the Mexican painter, Rufino Tamayo, at the Dalton School and Paul Feeley at Bennington College. The artistic circles of New York City provided the young painter with broad experiences. In 1950, she met Clement Greenberg, who introduced her to Jackson Pollock and Willem de Kooning. The experience of seeing Pollock at work in his Springs, Long Island studio stimulated a new concern with line, although Frankenthaler's line-a hazy wash-was totally unlike Pollock's nervous electric painting. A major breakthrough in her work occurred in 1952 when she came up with a mixture of housepaint, enamel, turpentine and oil, and spilled this from coffee cans onto unsized canvas. In her first major work in this style, gestured lines in charcoal were laid in first in order to suggest an abstract "memory" of landscape. But these guideposts were eventually eliminated. "Mountains and the Sea", her first "soaked" canvas, had a great impact on American painters, particularly her contemporaries Kenneth Noland and Morris Louis, who adapted the technique to their own work.
Frankenthaler has been considered a transitional artist between Abstract Expressionism and color-field painting. She was certainly the first American painter after Pollock to see the implications of color-staining raw canvas to create an integration of color and ground in which foreground and background cease to exist. In Frankenthaler's work immense canvases are painted in an open composition often building around a free, abstract, central image. She builds form from within, contrasting the saturation and density of her paint to create a rising and swelling motion related to marine or landscape images. The technique of staining canvases with poured paint involves, necessarily, a great amount of risk, as there is no chance for correction. If a painting failed somewhere along the way, she rejected it. But when successful her paintings became harmonious blends of motion and color.
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|  Helen Frankenthaler Westwind-Paris Review 1996
 Helen Frankenthaler Blue Atmosphere
 Helen Frankenthaler Freefall
 Helen Frankenthaler Untitled, 1995 (serigraph)
 Helen Frankenthaler Ocean Drive West #1, 1974
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