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ARTIST BIOGRAPHIES

Alston, Charles

Angelico, Beato

Arp, Jean (Hans)

Avercamp, Hendrik

Bannister, Edward

Bazille, Jean Frederic

Bearden, Romare

Bellows, George

Benson, Frank Weston

Benton, Thomas Hart

Bierstadt, Albert

Bingham, George Caleb

Boccioni, Umberto

Bonnard, Pierre

Botticelli, Allesandro

Boucher, Francois

Boudin, Eugene-Louis

Bouguereau, Adolphe William

Braque, Georges

Brauner, Victor

Bricher, Alfred Thompson

Bronzino, Agnolo

Brouwer, Adriaen

Brueghel the Elder, Pieter

Buffet, Bernard

Calder, Alexander

Carqueville, William

Chambers, Thomas

Chase, William Merritt

Constable, John

Corot, Jean-Baptiste Camille

Courbet, Gustave

Cranach (the Elder), Lucas

Currier and Ives

da Vinci, Leonardo

Daumier, Honore

David, Jacques-Louis

de Chirico, Giorgio

de Goya, Francisco Jose

de Hooch, Pieter

de Vlaminck, Maurice

Delacroix, Eugene

Delaroche, Paul

Demuth, Charles

di Bondone, Giotto

Doughty, Thomas

Duchamp, Marcel

Durer, Albrecht

Eilshemius, Louis

Evergood, Philip

Fantin-Latour, Henri

Feininger, Lyonel

Foujita, Tsuguharu

Fragonard, Jean-Honore

Frankenthaler, Helen

Friedrich, Caspar David

Frieseke, Frederick Carl

Fuseli, John Henry

Gainsborough, Thomas

Gentileschi, Orazio

Gericault, Theodore

Ghirlandaio, Domenico

Giacometti, Alberto

Giorgione, Giorgio

Glackens, William

Gottlieb, Adolph

Gottlob, Fernand

Grunewald, Matthias

Guys, Constantin

Harnett, William Michael

Hartley, Marsden

Henry, Edward Lamson

Hilliard, Nicholas

Hobbema, Meindert

Hogarth, William

Holbein(the younger), Hans

Holder, Geoffrey

Hui-tsung, Emperor

Hunt, William Holman

Indiana, Robert

Johnson, Frank Tenney

Johnson, William

Kandinsky, Wassily

Kirchner, Ernst Ludwig

Kiyonaga, Torii

Kokoschka, Oskar

Koryusai, Koryusai

Kuniyoshi, Yasuo

Kyosai, Kawanabe

Lane, Fitz Hugh

Laurencin, Marie

Lawrence, Jacob

Lawrence, Sir Thomas

Lee-Smith, Hughie

Leigh, William Robinson

Leyster, Judith

Lichtenstein, Roy

Liebermann, Max

Lindner, Richard

Lippi, Fra Fillipo

Lorrain, Claude

Luini, Bernardino

Maillol, Aristide

Marquet, Albert

Martin, Henri-Jean Guillaume

Michelangelo - Buonarotti, Michelangelo

Millet, Jean-Francois

Modigliani, Amedeo

Moreau, Gustave

Morisot, Berthe

Motherwell, Robert

Motley, Archibald John Jr

Mucha, Alphonse Marie

O'Keeffe, georgia

Pissarro, Camille

Pollock, Jackson

Poussin, Nicolas

Raffaelo - Sanzio, Raphael

Rauschenberg, Robert

Redoute, Pierre-Joseph

Remington, Frederic

Renoir, Pierre-Auguste

Reynolds, Sir Joshua

Rossetti, Dante Gabriel

Rouault, Georges

Rubens, Peter Paul

Seurat, Georges

Steinlen, Theophile Alexandre

Tiepolo, Giovanni Domenica

Tintoretto, Jacopo Robusti

Toulouse-Lautrec, Henri

Turner, Joseph Mallord William

van Beyeren, Abraham

van Dyck, Sir Anthony

van Gogh, Vincent

van Huysum, Jan

van Rijin, Rembrant

Velazquez, Diego

Vermeer, Johannes Jan

von Jawlensky, Alexej

Vuillard, Edouard

Watteau, Jean-Antoine

Whistler, James Abbott Macneill

Williams, Walter

Woodville, Richard

Wyeth, Newell Convers

Yokoyama, Taikan

Jasper Johns

Birth Year : 1930
Death Year :
Country : US

Jasper Johns, one of the most uniquely original of the artists who came to prominence in the late fifties, was born in Augusta, Georgia, the son of a farmer. His youth was a period of uprootedness in which he lived successively with various relatives. During a brief period at the University of South Carolina, he had his first formal training in art. While in New York, in 1949, Johns was drafted into the Army and stationed in Japan. By 1952, back in New York, he began to paint, supporting himself with various odd jobs. Johns shared a loft, in New York, with Robert Rauschenberg, and came to meet the composer John Cage. Johns became fascinated with Cage's ideas about the lack of boundaries between art and the ordinary materials of the world and, in 1955, he began a series of paintings based on the American flag, followed by a series of targets and sequences of numbers and letters.

These subjects are formal systems or grids, and are central to Johns' art, which he explained as being concerned with things that are looked at, seen over and over, but not really seen. Because their basic design had already been accomplished elsewhere, he could, by transferring them to the canvas, "recreate" them, creating new perceptions of these forms by questioning their basic identity. These early paintings all use the rare medium of wax encaustic: pigment folded into wax and newspaper strips then dipped into the colored wax and affixed to the canvas. More wax was then brushed on the surface, giving a heavily brushstroked appearance and causing the object to seem slightly embedded within the medium.

In 1959, Johns saw a collection of Marcel Duchamp "objects," an experience which was to cause a metamorphosis in his work during the sixties. Johns began to use the paint itself as a new kind of structure, affixing objects such as a broom or ruler to the canvas. Johns' paintings had a considerable influence on both the "Pop Art" of the sixties and on the depersonalized, hard edged abstractions of artists such as Frank Stella and Kenneth Nolan.

Jasper Johns
Three Flags

Jasper Johns
Three Flags

Jasper Johns
Flag, 1954

Jasper Johns
Map

Jasper Johns
Target, 1974

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