Deu Fre Ita Esp Eng

P a i n t e r s B I O G R A P H I E S
Dali Biography | Magazine | Critical-Paranoiac | Gala | Store
Dali Galleries: 1925-1936 1937-1947 1947-1970 1971-1983 Divine Comedy 3D Anaglyph

Find any Print,Poster

ARTIST BIOGRAPHIES

Alston, Charles

Angelico, Beato

Arp, Jean (Hans)

Avercamp, Hendrik

Bannister, Edward

Bazille, Jean Frederic

Bearden, Romare

Bellows, George

Benson, Frank Weston

Benton, Thomas Hart

Bierstadt, Albert

Bingham, George Caleb

Boccioni, Umberto

Bonnard, Pierre

Botticelli, Allesandro

Boucher, Francois

Boudin, Eugene-Louis

Bouguereau, Adolphe William

Braque, Georges

Brauner, Victor

Bricher, Alfred Thompson

Bronzino, Agnolo

Brouwer, Adriaen

Brueghel the Elder, Pieter

Buffet, Bernard

Calder, Alexander

Carqueville, William

Chambers, Thomas

Chase, William Merritt

Constable, John

Corot, Jean-Baptiste Camille

Courbet, Gustave

Cranach (the Elder), Lucas

Currier and Ives

da Vinci, Leonardo

Daumier, Honore

David, Jacques-Louis

de Chirico, Giorgio

de Goya, Francisco Jose

de Hooch, Pieter

de Vlaminck, Maurice

Delacroix, Eugene

Delaroche, Paul

Demuth, Charles

di Bondone, Giotto

Doughty, Thomas

Duchamp, Marcel

Durer, Albrecht

Eilshemius, Louis

Evergood, Philip

Fantin-Latour, Henri

Feininger, Lyonel

Foujita, Tsuguharu

Fragonard, Jean-Honore

Frankenthaler, Helen

Friedrich, Caspar David

Frieseke, Frederick Carl

Fuseli, John Henry

Gainsborough, Thomas

Gentileschi, Orazio

Gericault, Theodore

Ghirlandaio, Domenico

Giacometti, Alberto

Giorgione, Giorgio

Glackens, William

Gottlieb, Adolph

Gottlob, Fernand

Grunewald, Matthias

Guys, Constantin

Harnett, William Michael

Hartley, Marsden

Henry, Edward Lamson

Hilliard, Nicholas

Hobbema, Meindert

Hogarth, William

Holbein(the younger), Hans

Holder, Geoffrey

Hui-tsung, Emperor

Hunt, William Holman

Indiana, Robert

Johnson, Frank Tenney

Johnson, William

Kandinsky, Wassily

Kirchner, Ernst Ludwig

Kiyonaga, Torii

Kokoschka, Oskar

Koryusai, Koryusai

Kuniyoshi, Yasuo

Kyosai, Kawanabe

Lane, Fitz Hugh

Laurencin, Marie

Lawrence, Jacob

Lawrence, Sir Thomas

Lee-Smith, Hughie

Leigh, William Robinson

Leyster, Judith

Lichtenstein, Roy

Liebermann, Max

Lindner, Richard

Lippi, Fra Fillipo

Lorrain, Claude

Luini, Bernardino

Maillol, Aristide

Marquet, Albert

Martin, Henri-Jean Guillaume

Michelangelo - Buonarotti, Michelangelo

Millet, Jean-Francois

Modigliani, Amedeo

Moreau, Gustave

Morisot, Berthe

Motherwell, Robert

Motley, Archibald John Jr

Mucha, Alphonse Marie

O'Keeffe, georgia

Pissarro, Camille

Pollock, Jackson

Poussin, Nicolas

Raffaelo - Sanzio, Raphael

Rauschenberg, Robert

Redoute, Pierre-Joseph

Remington, Frederic

Renoir, Pierre-Auguste

Reynolds, Sir Joshua

Rossetti, Dante Gabriel

Rouault, Georges

Rubens, Peter Paul

Seurat, Georges

Steinlen, Theophile Alexandre

Tiepolo, Giovanni Domenica

Tintoretto, Jacopo Robusti

Toulouse-Lautrec, Henri

Turner, Joseph Mallord William

van Beyeren, Abraham

van Dyck, Sir Anthony

van Gogh, Vincent

van Huysum, Jan

van Rijin, Rembrant

Velazquez, Diego

Vermeer, Johannes Jan

von Jawlensky, Alexej

Vuillard, Edouard

Watteau, Jean-Antoine

Whistler, James Abbott Macneill

Williams, Walter

Woodville, Richard

Wyeth, Newell Convers

Yokoyama, Taikan

Marsden Hartley

Birth Year : 1877
Death Year : 1943
Country : US

Marsden Hartley was born in Lewiston, Maine. His family soon moved to Cleveland, where he went to school and studied art, privately. After winning a scholarship to the Cleveland School of Art, he studied with Cullen Yates and Nina Waldeck. He continued his studies in New York between 1900 and 1901 at the Chase School and the National Academy of Design. He then went to Maine and painted by himself until 1908. For the next nine years, he passed through a number of experimental styles under the influence of the powerful European movements of the period. He began, in 1908, with academically Impressionist works, "stitched in color." In 1909, at his first and unsuccessful one-man show at Alfred Steiglitz' "291" Gallery, he presented more formal works, exhibiting a rhythmically expressionistic use of paint, much like that of van Gogh's, but darker in tonality. He went to Germany in 1912 and during his stay abroad first experimented with Cubism, though he later adopted a freer style showing the influence of Kandinsky and the Blaue Reiter school.

By 1915, he had arrived at a style that combined decorative Cubism with the early lyrical abstraction of Kandinsky's. He was using a wide, brilliant palette and showing evidence of German militarism in repeated symbols that were often placed in flat areas of glaring color set off by ragged black patches. This very brief period was succeeded by an equally brief one of Constructivist canvases, pastels and neutral tones, with geometrically simple forms, held subtly together in an elegant and forcefully simple manner. Hartley then rediscovered Cezanne, in 1926, and evolved an emphatically decorative style that used an enameled surface. Hartley received a Guggenheim Fellowship in 1931 and gave up his European travels for trips in the United States until his retirement to Maine in 1933. By 1931 he was painting in his final and most important manner, a simplified expressionism, bold in outline, vividly contrasting in color, and rugged in impact.

Marsden Hartley
Fox Island

View all Marsden Hartley products

Marsden Hartley

Birth Year : 1877
Death Year : 1943
Country : US

Marsden Hartley was born in Lewiston, Maine. His family soon moved to Cleveland, where he went to school and studied art, privately. After winning a scholarship to the Cleveland School of Art, he studied with Cullen Yates and Nina Waldeck. He continued his studies in New York between 1900 and 1901 at the Chase School and the National Academy of Design. He then went to Maine and painted by himself until 1908. For the next nine years, he passed through a number of experimental styles under the influence of the powerful European movements of the period. He began, in 1908, with academically Impressionist works, "stitched in color." In 1909, at his first and unsuccessful one-man show at Alfred Steiglitz' "291" Gallery, he presented more formal works, exhibiting a rhythmically expressionistic use of paint, much like that of van Gogh's, but darker in tonality. He went to Germany in 1912 and during his stay abroad first experimented with Cubism, though he later adopted a freer style showing the influence of Kandinsky and the Blaue Reiter school.

By 1915, he had arrived at a style that combined decorative Cubism with the early lyrical abstraction of Kandinsky's. He was using a wide, brilliant palette and showing evidence of German militarism in repeated symbols that were often placed in flat areas of glaring color set off by ragged black patches. This very brief period was succeeded by an equally brief one of Constructivist canvases, pastels and neutral tones, with geometrically simple forms, held subtly together in an elegant and forcefully simple manner. Hartley then rediscovered Cezanne, in 1926, and evolved an emphatically decorative style that used an enameled surface. Hartley received a Guggenheim Fellowship in 1931 and gave up his European travels for trips in the United States until his retirement to Maine in 1933. By 1931 he was painting in his final and most important manner, a simplified expressionism, bold in outline, vividly contrasting in color, and rugged in impact.

Marsden Hartley
Fox Island

View all Marsden Hartley products

Powered by Barewalls Interactive Art Inc., Sharon MA

| HOME | Privacy Policy | Disclaimer | Site Map | Copyright © 2000 - by 3d-dali.com |

* Please verify the availability and prices after clicking the link. Temporary differences may appear occasionally in the updating process of our server.