Alston, Charles
Angelico, Beato
Arp, Jean (Hans)
Avercamp, Hendrik
Bakst, Leon
Bannister, Edward
Bazille, Jean Frederic
Bearden, Romare
Beaux, Cecilia
Beckmann, Max
Bellows, George
Benson, Frank Weston
Benton, Thomas Hart
Bierstadt, Albert
Bingham, George Caleb
Blake, William
Boccioni, Umberto
Bonnard, Pierre
Botticelli, Allesandro
Boucher, Francois
Boudin, Eugene-Louis
Bouguereau, Adolphe William
Bradley, Will
Braque, Georges
Brauner, Victor
Bricher, Alfred Thompson
Bronzino, Agnolo
Brouwer, Adriaen
Brueghel the Elder, Pieter
Buffet, Bernard
Calder, Alexander
Canaletto
Caravaggio
Caron, Antoine
Carqueville, William
Cassatt, Mary
Cezanne, Paul
Chagall, Marc
Chambers, Thomas
Chardin, JBS
Chase, William Merritt
Cheret, Jules
Chicago, Judy
Clouet, Jean
Cochran, Anna
Cole, Thomas
Constable, John
Corinth, Lovis
Cornoyer, Paul
Corot, Jean-Baptiste Camille
Courbet, Gustave
Cranach (the Elder), Lucas
Crite, Allan
Currier and Ives
Cuyp, Aelbert
da Vinci, Leonardo
Dali, Salvador
Daumier, Honore
David, Jacques-Louis
Davis, Stuart
de Chirico, Giorgio
de Goya, Francisco Jose
de Hooch, Pieter
de Vlaminck, Maurice
Degas, Edgar
Delacroix, Eugene
Delaroche, Paul
Delvaux, Paul
Demuth, Charles
Derain, Andre
di Bondone, Giotto
Doughty, Thomas
Duchamp, Marcel
Dufy, Raoul
Durer, Albrecht
Eakins, Thomas
Eilshemius, Louis
El Greco
Ensor, James
Ernst, Max
Evergood, Philip
Fantin-Latour, Henri
Feininger, Lyonel
Foujita, Tsuguharu
Fragonard, Jean-Honore
Frankenthaler, Helen
Friedrich, Caspar David
Frieseke, Frederick Carl
Friesz, Othon
Fuseli, John Henry
Gainsborough, Thomas
Gasser, Henry
Gauguin, Paul
Gentileschi, Orazio
Gericault, Theodore
Ghirlandaio, Domenico
Giacometti, Alberto
Giorgione, Giorgio
Glackens, William
Gorky, Arshile
Gottlieb, Adolph
Gottlob, Fernand
Gris, Juan
Grunewald, Matthias
Guys, Constantin
Hals, Frans
Hansen, H.W.
Harnett, William Michael
Hartley, Marsden
Hassam, Childe
Hayes, George
Henry, Edward Lamson
Hicks, Edward
Hilliard, Nicholas
Hobbema, Meindert
Hofmann, Hans
Hogarth, William
Hoitsu, Sakai
Holbein(the younger), Hans
Holder, Geoffrey
Homer, Winslow
Hopper, Edward
Hui-tsung, Emperor
Hunt, William Holman
Indiana, Robert
Ingres
Inness, George
Ino, Pierre
Johns, Jasper
Johnson, Frank Tenney
Johnson, William
Kahlo, Frida
Kandinsky, Wassily
Kirchner, Ernst Ludwig
Kisling, Moise
Kiyonaga, Torii
Klee, Paul
Klimt, Gustav
Kokoschka, Oskar
Koryusai, Koryusai
Kuhn, Walt
Kuniyoshi, Yasuo
Kyosai, Kawanabe
Lane, Fitz Hugh
Laurencin, Marie
Lawrence, Jacob
Lawrence, Sir Thomas
Lee-Smith, Hughie
Leger, Fernand
Leigh, William Robinson
Leyster, Judith
Lichtenstein, Roy
Liebermann, Max
Lindner, Richard
Lippi, Fra Fillipo
Lorrain, Claude
Louis, Morris
Luini, Bernardino
Macke, Auguste
Maes, Nicolaes
Magritte, Rene
Maillol, Aristide
Manet, Edouard
Marc, Franz
Marini, Marino
Marquet, Albert
Martin, Henri-Jean Guillaume
Masaccio
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Michelangelo - Buonarotti, Michelangelo
Millet, Jean-Francois
Miro, Joan
Modigliani, Amedeo
Mondrian, Piet
Monet, Claude
Moore, Henry
Moore, Martha
Moreau, Gustave
Morisot, Berthe
Moskowitz, Ira
Motherwell, Robert
Motley, Archibald John Jr
Mucha, Alphonse Marie
Munch, Edvard
O'Keeffe, georgia
Picasso, Pablo
Pissarro, Camille
Pollock, Jackson
Poussin, Nicolas
Raffaelo - Sanzio, Raphael
Rauschenberg, Robert
Redoute, Pierre-Joseph
Remington, Frederic
Renoir, Pierre-Auguste
Reynolds, Sir Joshua
Rossetti, Dante Gabriel
Rouault, Georges
Rubens, Peter Paul
Seurat, Georges
Sisley, Alfred
Steinlen, Theophile Alexandre
Tamayo, Rufino
Tang, Li
Tanguy, Yves
Tiepolo, Giovanni Domenica
Tintoretto, Jacopo Robusti
Toulouse-Lautrec, Henri
Turner, Joseph Mallord William
Ucello, Paolo
van Beyeren, Abraham
van Dyck, Sir Anthony
van Gogh, Vincent
van Huysum, Jan
van Rijin, Rembrant
Velazquez, Diego
Vermeer, Johannes Jan
von Jawlensky, Alexej
Vuillard, Edouard
Watteau, Jean-Antoine
Whistler, James Abbott Macneill
Williams, Walter
Wood, Grant
Woodruff, Hale
Woodville, Richard
Wyeth, Andrew
Wyeth, Newell Convers
Yokoyama, Taikan
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Birth Year : 1894
Death Year : 1964
Country : US
The career of Stuart Davis has encompassed the entire span of modern art in the United States. As a boy in Philadelphia, he was surrounded by painters: his father was art editor with the Philadelphia Press and among his employees were the young artists John Sloan, William Glackens, Everett Shinn and George Luks. The Davis family moved to East Orange, New Jersey at the same time as the Philadelphia artist, Robert Henri, opened his school in New York City, which Davis left high school to attend. Like other Henri students Davis supported himself by doing illustrations for Harper's Weekly. He exhibited watercolors in the famous Armory show of 1913, a show that exposed him to the revolutionary painting going on in Europe at the time. For the next few years Davis experimented with the collage technique invented by Braque and Picasso. He pasted paper on the surface of his canvases and painted imitations of wallpapers, labels, etc. In these collages of 1921 he first introduced words and letters, elements that were to comprise an important part of his pictorial vocabulary. These early collages were a suggestion of the form that Pop Art would take in the 1960's.
In the 1930's, Davis experimented with a blend of Cubism and Futurism, combining many views of a subject into one painting. His friendship with Arshile Gorky was to reinforce one of the first bridges between the European modernists and the new American painting. Gorky admired Davis' conception of the canvas as a two-dimensional surface plane which should not be interrupted with suggestions of depth or perspective. By the forties, Davis was concerned with translating the sights and sounds of American life. He was one of the first artists to appreciate jazz as a distinctly American idiom. He blended hot, fully saturated oranges, pinks and magentas and lively dancing shapes to form the pictorial counterpart of the syncopated rhythms of jazz. In the late forties and fifties, Davis began using calligraphic shapes and words in his paintings. In his last paintings of 1963-64 words and abstract symbols dominate the canvas. Stuart Davis is almost the only American painter of the twentieth century whose works have transcended every change in style; he was respected and admired by the avant-garde artists of the fifties and acknowledged by the Pop artists of the sixties as their natural predecessor.
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Stuart Davis
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