Alston, Charles
Angelico, Beato
Arp, Jean (Hans)
Avercamp, Hendrik
Bakst, Leon
Bannister, Edward
Bazille, Jean Frederic
Bearden, Romare
Beaux, Cecilia
Beckmann, Max
Bellows, George
Benson, Frank Weston
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Bierstadt, Albert
Bingham, George Caleb
Blake, William
Boccioni, Umberto
Bonnard, Pierre
Botticelli, Allesandro
Boucher, Francois
Boudin, Eugene-Louis
Bouguereau, Adolphe William
Bradley, Will
Braque, Georges
Brauner, Victor
Bricher, Alfred Thompson
Bronzino, Agnolo
Brouwer, Adriaen
Brueghel the Elder, Pieter
Buffet, Bernard
Calder, Alexander
Canaletto
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Caron, Antoine
Carqueville, William
Cassatt, Mary
Cezanne, Paul
Chagall, Marc
Chambers, Thomas
Chardin, JBS
Chase, William Merritt
Cheret, Jules
Chicago, Judy
Clouet, Jean
Cochran, Anna
Cole, Thomas
Constable, John
Corinth, Lovis
Cornoyer, Paul
Corot, Jean-Baptiste Camille
Courbet, Gustave
Cranach (the Elder), Lucas
Crite, Allan
Currier and Ives
Cuyp, Aelbert
da Vinci, Leonardo
Dali, Salvador
Daumier, Honore
David, Jacques-Louis
Davis, Stuart
de Chirico, Giorgio
de Goya, Francisco Jose
de Hooch, Pieter
de Vlaminck, Maurice
Degas, Edgar
Delacroix, Eugene
Delaroche, Paul
Delvaux, Paul
Demuth, Charles
Derain, Andre
di Bondone, Giotto
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Duchamp, Marcel
Dufy, Raoul
Durer, Albrecht
Eakins, Thomas
Eilshemius, Louis
El Greco
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Ernst, Max
Evergood, Philip
Fantin-Latour, Henri
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Friedrich, Caspar David
Frieseke, Frederick Carl
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Gainsborough, Thomas
Gasser, Henry
Gauguin, Paul
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Gericault, Theodore
Ghirlandaio, Domenico
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Glackens, William
Gorky, Arshile
Gottlieb, Adolph
Gottlob, Fernand
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Grunewald, Matthias
Guys, Constantin
Hals, Frans
Hansen, H.W.
Harnett, William Michael
Hartley, Marsden
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Henry, Edward Lamson
Hicks, Edward
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Hobbema, Meindert
Hofmann, Hans
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Hui-tsung, Emperor
Hunt, William Holman
Indiana, Robert
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Ino, Pierre
Johns, Jasper
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Kahlo, Frida
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Kirchner, Ernst Ludwig
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Klee, Paul
Klimt, Gustav
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Kuhn, Walt
Kuniyoshi, Yasuo
Kyosai, Kawanabe
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Laurencin, Marie
Lawrence, Jacob
Lawrence, Sir Thomas
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Leyster, Judith
Lichtenstein, Roy
Liebermann, Max
Lindner, Richard
Lippi, Fra Fillipo
Lorrain, Claude
Louis, Morris
Luini, Bernardino
Macke, Auguste
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Maillol, Aristide
Manet, Edouard
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Marquet, Albert
Martin, Henri-Jean Guillaume
Masaccio
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Michelangelo - Buonarotti, Michelangelo
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Modigliani, Amedeo
Mondrian, Piet
Monet, Claude
Moore, Henry
Moore, Martha
Moreau, Gustave
Morisot, Berthe
Moskowitz, Ira
Motherwell, Robert
Motley, Archibald John Jr
Mucha, Alphonse Marie
Munch, Edvard
O'Keeffe, georgia
Picasso, Pablo
Pissarro, Camille
Pollock, Jackson
Poussin, Nicolas
Raffaelo - Sanzio, Raphael
Rauschenberg, Robert
Redoute, Pierre-Joseph
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Renoir, Pierre-Auguste
Reynolds, Sir Joshua
Rossetti, Dante Gabriel
Rouault, Georges
Rubens, Peter Paul
Seurat, Georges
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Steinlen, Theophile Alexandre
Tamayo, Rufino
Tang, Li
Tanguy, Yves
Tiepolo, Giovanni Domenica
Tintoretto, Jacopo Robusti
Toulouse-Lautrec, Henri
Turner, Joseph Mallord William
Ucello, Paolo
van Beyeren, Abraham
van Dyck, Sir Anthony
van Gogh, Vincent
van Huysum, Jan
van Rijin, Rembrant
Velazquez, Diego
Vermeer, Johannes Jan
von Jawlensky, Alexej
Vuillard, Edouard
Watteau, Jean-Antoine
Whistler, James Abbott Macneill
Williams, Walter
Wood, Grant
Woodruff, Hale
Woodville, Richard
Wyeth, Andrew
Wyeth, Newell Convers
Yokoyama, Taikan
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Birth Year : 1889
Death Year : 1975
Country : US
Thomas Hart Benton was born in Neosha, Missouri, the great-nephew of the American politician and statesman after whom he was named. He studied at the Art Institute of Chicago from 1907 to 1908; and he then went to Paris, where he studied at the Academie Julian until 1911. While in Paris, through his friendship with the painter Stanton Macdonald-Wright, he became strongly influence by the "Synchronist" school of painting. The Synchromists took an abstract approach to color, which they used to express emotion and mood rather than to depict reality. He continued to work in the Synchromist manner, even after his return to the United States in 1912. Despite having participated in the Forum Exhibition of Modern American Painters in 1916, he broke with modernism and with the avant-garde in the early 1920's, and adopted an approach that he, and others, called "Regionalism", in which familiar scenes and characters from small-town life in the American Midwest are painted in a popular (even nostalgic), yet neither slick nor pandering, style.
The approach had roots in the populist socialism that had gained many adherents among idealistic young people in the late 1920's and early 1930's. Benton's figure drawing was accessible, often cartoon-like; his compositions were energetic and active; and his colors were rich. He painted mural scenes of American life in the early 1930's, including a well-known work for the New School for Social Research in New York City. He taught at the Art Students League of New York, where his students included Jackson Pollack, who would later become an important abstract expressionist. In 1934, when a Benton portrait was featured on the cover of "Time" magazine, both Benton and his Regionalism started catching the attention of a much larger public. In 1935, he became the director of the City Art Institute and School of Design in Kansas City, Missouri, where he lived for the rest of his life.
Throughout his career, Benton continued to reject the orthodoxies of modernism, which he saw as elitist, neurotic, and obscurantist. He hoped to produce a particularly American visual art, steeped in North American folk traditions and free of what he saw as the decadence of European high culture. One of his innovations was the representation of Mythological and Biblical narratives in American types. He worked in both mural and easel forms and wrote many articles on art, as well as two autobiographies.
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